Lighting Design

London:

[Theatre] The American Clock (Finborough Theatre) [March 2012], King John (Union Theatre), The Moon is Halfway to Heaven (Jermyn Street Theatre), Fings Ain’t Wot They Used T’Be (Union Theatre), Double Falsehood (Union Theatre and West End), A Place at the Table (with Katharine Williams; Camden People’s Theatre), A Christmas Carol (King’s Head, Islington)

Seattle:

[Theatre] Annex Theatre (Empty Space, CHAC, Rendezvous Jewelbox); theater simple (Freehold Theatre, Sand Point Naval Station, Seattle Fringe Festival, numerous US and international festivals); Book-it Repertory Theatre (Seattle Centre, ACT – Cabaret Theatre, On The Boards); Open Circle Theatre; Macha Monkey Productions (Seattle Mime Theatre, Freehold Theatre); Sight Nine Productions (Seattle Public Theatre, Theatre Off Jackson); Re-Act (Theatre Off Jackson, Seattle Public Theatre)

[Opera] Early Music Guild (Intiman theatre, ACT – Falls Theatre, Town Hall); Seattle Experimental Opera (Nippon Kan Theatre); Benevolent Order for Music of the Baroque (Nippon Kan Theatre); University of Washington (Meany Hall Studio, Meany Hall mainstage)

[Dance] Pat Graney (Moore Theatre); Sheri Cohen (Freehold Studio, Broadway Performance Hall); Velocity Dance Studio (Broadway Performance Hall); better biscuit (Freehold Theatre; On The Boards); University of Washington (Meany Hall Studio); Northwest Dance Syndrome (Freehold Theatre)

Assistant/Associate Lighting Design

Chris Akerlind (Seattle Rep); Peter Bracilano (Village Theatre); Don Holder (Intiman Theatre, Rutgers University); M.L. Geiger (Intiman Theatre, Pioneer Theatre [Salt Lake City], NY tour); Jim Ingalls (Seattle Rep); Peter Kaczorowski (Seattle Rep); Peter Maradudin (Seattle Rep); Rick Paulsen (Seattle Rep); Nancy Schertler (Seattle Rep, 5th Avenue Theatre); Greg Sullivan (Seattle Rep); Katharine Williams (Arcola Theatre [London])